Rajesh James, Sathyaraj Venkatesan
“Queer Tropes, (In)Visibility, and Post-1990’s Malayalam Cinema.”,
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Rajesh James
“Imaging Subaltern Self: Papilio Buddha as a Dalit Cinema”,
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Rajesh James
Queer Tropes in Post 1990s Malayalam Cinema,
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Rajesh James
Imaging Subaltern Self: Papilio Buddha as a Dalit Cinema,
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Rajesh James
Queerdom and Pleasure in Contemporary Malayalam Cinema,
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Rajesh James
Is there a politics in these texts: The Ambiguities of representation in Arunkumar Aravind’s E Adutha Kalathu and Left Right Lef,
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Rajesh James
The Condensed Queerity and The Displaced Queer Gustation: Salt & Pepper as a Homo Pomo,
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Rajesh James
Harikrishnans As a Celluloid Closet,
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